"Marking Time" at Lafayette College – Easton, PA

September 5 – October 24

In September and October, the Skillman Library at Lafayette College is host to the exhibit, “Marking Time.” The exhibit showcases the diverse talents of Guild members and was curated by Guild Exhibitions Chair Karen Hanmer and juried by Jeffrey Altepeter, Melissa Jay Craig, and Peter Verheyen. The show opened at the Minnesota Center for Book Arts in Minneapolis in May 2009 and will have traveled to nine venues across the country before closing at Emory University in March 2011.

The show features 50 works interpreting the theme of “time,” ranging from contemporary books of hours to celebrations of nature’s cycles to considerations of the end of time. Stunning leather bindings stand alongside edgy contemporary bindings that have been dyed, collaged, or incorporate photographs or handwriting. The show includes work in the codex format, complex folded structures, wooden constructions, hand-held toys, and sculptural objects. Text and imagery is produced by the most ancient and the most modern mark-marking methods—calligraphy, painting, woodcut, letterpress, and digital output.

An opening reception will be held on Sunday, September 26, from 2-4 pm in Skillman Library. At 3 pm in the Gendebien Room, exhibit curator Karen Hanmer will give a presentation. Hanmer is a Chicago book and installation artist, whose work is included in the collections of the Tate Britain, the National Museum of Women in the Arts, the Library of Congress, Graceland, and a number of college and university libraries, including Lafayette.

Questions: 610-330-5148 or archives@lafayette.edu
Directions: http://www.lafayette.edu/visit/maps-directions/
Also on exhibit: “Quilts in Glorious Color” by Liza Prior Lucy of New Hope

Bookbinding Equipment for Sale

Hello Everyone,
I had a call from someone who is selling her father’s bookbinding equipment. Below is the information that she sent me along with her contact information:

Here is the list of bookbinding equipment we have for sale.
Interested parties may contact me a vjebinder@gmail or phone 508 853 2055.
BOOKBINDERY MACHINERY

1. Board Cutter – Manual Shears

2. Cutting Machine, Electric with extra knives

3. Job Backer, Manual

4. Job Backer with Roller

5. Press, Max opening 5-12 feet ( includes boards and cabinet and logs to shorten distance

6. Press, Max opening 4 feet (includes boards and cabinet and logs

7. Press, Table top model, 13″x13″ top plate & 15″x15″ bottom plate (includes boards

8. Glueing Machine, Hot, Electric (includes glue

9. Turning-In Machine sold

10. Case Making Gauge

11. Stamping Machine, Hot stamping, Kensol ( prefer to sell both kensols together includes type, pallets, chaises

12. Stamping Machine, Hot stamping, Kensol

13. Oversewing Machine ( includes sectioner, needles and punches

14. Numbering Machine

15. Hole Eyelet Punching Machine (includes various punches

16. Metal top table

17. Warmer, for type and pallets

18. Electric Glue Pots

19. Paper Jogger

Additionally, there is a residual Inventory of Binding Materials – (binders boards, end sheets, cover materials (in sheet sizes and in rolls), etc.).
And a quantity of Chases and Pallets and a large quantity of Type for the Kensols.
There are also worktables and steel shelving

Cor Aerssens Workshop

We want to let our members know about an educational opportunity. This is a non-guild workshop.

REFRESHING DUTCH BINDINGS
September 25 and 26, 2010
9:30 – 4:30
Library Company of Philadelphia
1314 Locust Street, Philadelphia 19107
Workshop fee: @200.00 plus a charge for materials

Three different simple bindings developed over the years by Cor Aerssens using only paper and thin cardboard.

The simplified “Groninger Binding” is a full cardboard binding that doesn’t need covering and is beautiful in its simplicity with the natural cardboard, no endpapers, and no adhesives. It could be used as a conservation binding.

The Silly Binding is a version of the “crisscross binding”, formerly the “Secret Belgian Binding” by Anne Goy. The sewing threads of this non-adhesive binding are partially hidden in the “boards” and are visible on the spine.

The Wrapper Binding is a response to a book structure by Hedi Kyle. The wrapper provides its own sewing bands that bundle the loose sheets into a book block. It is basically a non-adhesive binding, but in this workshop the pages will be extended using double-sided tape.

If there is time left there will be a short explanation on the use of colored beeswax on cardboard and paper. Beeswax can function as a protective coating and add decoration.

We can have 8 students maximum.
Please email Hedi Kyle to enroll by clicking

HERE

Upcoming…

Paul Johnson Talk
Friday, May 7 5:30 – 6:30 pm
Library Company of Philadelphia
1314 Locust Street
Philadelphia, PA 19107
FREE

Mr. Johnson will bring a suitcase of pop-up books to show us. Some of the books are his own and some were made by others, including children. He will discuss the endless power of the book as an aesthetic, architectural form and its special fascination for people of all ages.
Please RSVP to Jennifer Rosner by clicking HERE
or call Jennifer at: 215-546-3181

Reminder – Annual Meeting

Please come to the

Delaware Valley Chapter

of the

Guild of Book Workers

Annual Meeting

Wednesday, March 24th

5-7 pm

Library Company of Philadelphia

1314 Locust Street

See the Exhibit!

Philadelphia on Stone: The First Fifty Years of Commercial Lithography, 1828-1878

Exhibit Curator, Erika Piola will give a gallery talk.

Catch up with friends!

We will have some wine and cheese and time to socialize.

Participate in your chapter!

We will have a short meeting to review the past year and plan upcoming events.

If you haven’t already, please click below to

Building By The Book: Book Artists Respond to Architecture & Design

In conjunction with Philagrafika 2010: the Graphic Unconscious:

The Athenaeum of Philadelphia, collaborating with the Philadelphia Center for the Book, presents an exhibition of contemporary book arts produced in response to Athenaeum research collections.

See the work of artists Aimee Denault, Karen Hanmer, John Magnan, Claire Owen, Pia Pizzo, and Donald Rattner.

March 1 – May 1, 2010
Free Admission

Hours: Monday-Friday, 9:00AM-5:00PM
First Saturdays, 10:00AM-2:00PM